SectorsArt & Culture
Sector 01

Art & Culture

Independent cultural production has always operated on thin margins, but the past five years have compressed those margins further while simultaneously expanding who gets to make culture and where it travels. The crisis is real: consolidation in publishing, the collapse of mid-tier arts funding, and algorithmic distribution that rewards volume over depth. The opportunity is equally real: a generation of makers in South Asia, East Africa, and Latin America is building infrastructure that doesn't ask for permission from legacy gatekeepers.

The actual problems

What this sector
is up against.

These aren't background statistics. They are the operating conditions every organization in Art & Culture wakes up to — and the reason the work is hard.

01

Consolidation among major publishers and distributors is squeezing independent presses and galleries out of commercial viability, with the top 5 publishing houses now controlling over 80% of global book retail revenue.

02

Arts funding in OECD countries has shifted heavily toward blockbuster institutions and away from experimental, community-rooted, or diaspora-led work — creating a two-tier cultural economy.

03

Digital platforms redistribute cultural value toward high-frequency content creators and away from slower, deeper work — literature, visual art, documentary, and long-form journalism all suffer structurally.

04

Vast cultural archives in South Asia, West Africa, and the Middle East remain inaccessible or at risk of physical loss while Western institutions control the canonical digital record.

Where the openings are

Real opportunities right now.

1

South Asia has one of the world's youngest and fastest-growing reading populations; local-language digital publishing in Urdu, Bengali, Tamil, and Sinhala is vastly underserved relative to audience size.

2

Karachi, Lahore, Dhaka, and Colombo have active independent gallery and arts scenes operating at low cost relative to output quality — a genuine competitive advantage if paired with global distribution infrastructure.

3

The South Asian diaspora (UK, UAE, North America) represents a high-spending cultural audience hungry for contemporary work that isn't routed through Western intermediaries.

4

Cultural diplomacy budgets (Goethe, British Council, Alliance Française) actively fund local partners, filling the gap left by thin government arts funding across the region.

Follow the money

Who funds this sector.

Prince Claus Fund

Culture and development at the intersection of equity and artistic freedom; strong South/Southeast Asia and MENA presence

Sundance Institute

Independent film and documentary, including international labs and direct grants for emerging filmmakers outside the US

Open Society Foundations — Arts Exchange

Arts as civic infrastructure; journalism, independent media, and cultural platforms in politically constrained environments

British Council — Arts Grants

South Asia arts partnerships, residencies, and international touring; active grant programs in Pakistan, Bangladesh, India, Sri Lanka

Goethe-Institut

Cultural exchange grants and co-production funding across South and Southeast Asia, including digital and literary projects

Our work in this sector

Projects we have built.

Naked Punch
Naked Punch
Web · Archive · Publishing CMS

An independent art & culture advisory platform built for international reach.

Read the case study →
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